Matt, 21, Canada, Lover of Jen, News Junkie, Aspiring Journalist/Photojournalist /Archivist, Simpsons nerd, Opinionated curmudgeon.
Some of the photographs I post are not my own, and they are copyrighted by their respective photographers. I will cite and source every photograph I find that isn't mine. This isn't a commercial/profit blog, I do not make any money from this blog. I post photographs I like and am inspired by to show to my followers, in the hopes that they like them and are inspired by them as well. I do not wish to profit or gain from posting others' works.
-mtblog
Road, Nevada Desert, circa 1960
Silver gelatin print
[via the American Museum of Photography]
© Jack Robinson, Found In A Closet: A Photo Trove Of ’60s Icons
#1: Portrait of Tina Turner, ca. 1969
#2: Self-Portrait, Jack Robinson, New Orleans, early 1950sYou never know what people are hiding. When Dan Oppenheimer opened the door to Jack Robinson’s apartment, for example, he had no idea what he’d discover. He knew that Robinson had been a photographer in an earlier chapter of his life that he rarely spoke of.
Oppenheimer, who had been Robinson’s boss at a stained-glass studio in Memphis, recalls that Robinson kept mostly to himself and had very few friends. Few people even knew he had died, which might explain why Oppenheimer found himself in this position to begin with: There was no one else to take care of the effects.
What Oppenheimer did find when he opened the doors was an immaculately tidy apartment with exactly one of everything: One plate, one bowl, one mug. Robinson only wore white shirts and jeans, Oppenheimer says, and his spare white buttons were meticulously organized by size. A few cameras were in a display case. Then he opened the closet.
“I opened this one box, and stacked down to the bottom was Elton John, Joni Mitchell, Jack Nicholson, The Who,” Oppenheimer says. “It became very obvious that this was no ordinary photographer.” Jack Robinson, it turned out, had been a commercial photographer in New York City — namely for Vogue — long enough to build an archive of some 150,000 prints of the most recognizable faces of the ’50s, ’60s and ’70s.
(read more)
Triangular
Hong Kong, 1962
From The Living Theatre
Paris, 1969.
Elliott Erwitt / Magnum
It would not be a huge leap for me to turn this into an Erwitt blog.
This here is a family who really likes Post Cereal.
The ad was made by the D’Arcy Masius Benton & Bowles (DMB&B) advertising agency back in the 1960s. A bunch of old advertisements from DMB&B are up on the Duke University Library Digital Collections website.
[adviews]
Stanley Kubrick, George C. Scott, Peter Sellers, Christiane Kubrick, & Weegee during the filming of the pie fight scene that was cut from Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) (via)
Frank Sinatra, 1961
[via Everyday_I_Show]
A while back I uploaded a video of David Bowie’s “Life on Mars?” alongside some 16mm footage of slow-motion Apollo launches. At the time, I was using footage I thought was the only one available (and it wasn’t very good quality. 512kbps footage. Eech.)
I stumbled across the Archive.org page and realized that there was a 2gb version that was DVD quality. So I figured I would re-edit the movie again but with the better footage. Here it is! 720p shows the best.
Helicopter lifting off the roof of the Pan Am Building in New York.
New York City
1960s
Photo: Hulton Archive/Getty Images
(Source: gettyimages.ca)
David Axelrod - Songs of Innocence
(Song originally off of the album of the same name.)
In the previous post, I mentioned I had bought this compilation album alongside the Stephen Hawking book. A year or two ago I downloaded 3-4 songs off it from iTunes when I had credit on my account.
I’m buying the whole album because I want my own physical copy :)
This is a sampling of why I am paying money for it.
David Axelrod singlehandedly created my love for orchestrations and massive symphonic arrangements over funk music. The man is a genius.
The orchestration! Brilliant! I hope you all like! [Hey, Pitchfork liked it! That must mean something… right?]
(I also recommend you check out this and this. The first link is a song by David McCallum which Axelrod wrote and produced. McCallum conducted. The second link has a piercing introduction thanks to the violins. It’s also kind of eery, so caution to people who click on it :P)